Source text for this digital edition:
Fletcher, John. The Faithful Shepherdess. 1610. In: Mueller, Martin (gen. ed.) Shakespeare His Contemporaries Northwestern University. [Accessed: 28 October 2016]
Note on this digital edition
This electronic transcription comes from the original-spelling text in the Shakespeare His Contemporaries project, which offers curated versions of texts from Early English Books Online - Text Creation Partnership. It differs in textual corrections (detailed in the appendix) made with reference
to the transcription in the English Drama collection published by Chadwyck-Healey,
and in assigning role identifiers to speakers. This curation has been carried out
by Sonia Sofía Perelló.
The SHC source text has been re-encoded by Jesús Tronch Pérez in order to be used in the
databases of the EMOTHE project and of the HIERONIMO project.
As from October 2017 the Shakespeare His Contemporaries site is obsolete and its project is incorporated into EarlyPrint.
With the support of research project GVAICO2016-094, funded by Generalitat Valenciana
(2016-2017).
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THE
FAITHFVLL
Shepheardesse.
By IOHN FLETCHER.
Printed at London for R. Bonian
and H. Walley, and are to be sold at
the spred Eagle ouer against the
great North dore of S. Paules.
To that noble and true louer of earning, Sir VVALTER ASTON knight of the Bath.
SIr I must aske your patience, and be trew.
This play was neuer liked, vnlesse by few
That brought their iudgements with vm, for of late
First the infection, then the common prate
Of common people, haue such customes got
Either to silence plaies, or like them not.
Vnder the last of which this interlude,
Had falne for euer prest downe by the rude
That like a torrent which the moist south feedes,
Drowne's both before him the ripe corne and weedes:
Had not the sauing sence of better men
Redeem'd it from corruption: (deere Sir then)
Among the better soules, be you the best
In whome, as in a Center I take rest,
And propper being: from whose equall eye
And iudgement, nothing growes but puritie:
Nor do I flatter) for by all those dead,
Great in the muses, by Apolloes head,
He that ads any thing to you; tis done
Like his that lights a candle to the sunne:
Then be as you were euer, your selfe still
Moued by your iudgement, not by loue, or will
And when I sing againe as who can tell
My next deuotion to that holy well,
Your goodnesse to the muses shall be all,
Able to make a worke Heroyicall. Giuen to your seruice IOHN FLETCHER.
To the inheritour of all worthines, Sir William Scipwith. Ode.
If from seruile hope or loue,
I may proue
But so happy to be thought for
Such a one whose greatest ease
Is to please
Worthy sir) I haue all I sought for,
For no ich of greater name,
which some clame
By their verses do I show it
To the world; nor to protest
Tis the best
These are leane faults, in a poet
Nor to make it serue to feed
at my neede
Nor to gaine acquaintance by it
Nor to rauish kinde Atturnies,
in their iournies.
Nor to read it after diet
Fare from me are all these Ames
Fittest frames
To build weakenesse on and pitty
Onely to your selfe, and such
whose true touch
Makes all good; let me seeme witty. The Admirer of your vertues, IOHN FLETCHER.
To the perfect gentleman Sir Robert Townesend.
IF the greatest faults may craue
Pardon where contrition is
Noble Sir) I needes must have
A long one; for a long amisse
If you aske me (how is this)
Vpon my faith Ile tell you frankely,
You loue aboue my meanes to thanke yee.
Yet according to my Talent
As sowre fortune loues to vse me
A poore Shepheard I haue sent,
In home-spun gray for to excuse me.
And may all my hopes refuse me:
But when better comes ashore,
You shall haue better, newer, more.
Til when, like our desperate debters,
Or our three pild sweete protesters
I must please you in bare letters
And so pay my debts; like iesters,
Yet I oft haue seene good feasters,
Onely for to please the pallet,
Leaue great meat and chuse a fallet. All yours Iohn Fletcher:
To The Reader.
IF you be not reasonably assurde of your knowledge in this kinde of Poeme, lay downe the booke or read this, which I would wish had bene the prologue. It is a pastorall Tragic-comedie, which the people seeing when it was plaid, hauing euer had a singuler guise in defining, concluded to be a play of coūtry hired Shepheards, in gray cloakes, with curtaild dogs in strings, sometimes laughing together, and sometimes killing one another: And missing whitsun ales, creame, wassel & morris-dances, began to be angry. In their error I would not haue you fall, least you incurre their censure. Vnderstand therefore a pastorall to be a representation of shepheards and shepheardesses, with their actions and passions, which must be such as may agree with their natures at least not exceeding former fictions, & vulgar traditions: they are not to be adorn'd with any art, but such improper ones as nothing is said to bestow, as singing and Poetry, or such as experience may teach them, as the vertues of hearts, & fountaine the ordinary course of the Sun, moone, and starres, and such like. But you are euer to remember Shepherds to be such, as all the ancient Poets and moderne of vnderstanding haue receaued them: that is, the owners of flockes and not hyerlings A tragic-comedie is not so called in respect of mirth and killing, but in respect it wants deaths, which is inough to make it no tragedie, yet brings some neere it, which is inough to make it no comedie: which must be a representation of familiar people, with such kinde of trouble as no life be questiond, so that a God is as lawfull in this as in a tragedie, and meane people as in a comedie. Thus much I hope will serue to iustifie my Poeme, and make you vnderstand it, to teach you more for nothing, I do not know that I am in conscience bound. Iohn Fletcher.
To my lou'd friend M. Iohn Fletcher, on his Pastoralls
CAn my approouement (Sir) be worth your thankes?
Whose vnknowne name and muse (in swathing clowtes)
Is not yet growne to strength, among these rankes
To haue a roome and beare off the sharpe flowtes
Of this our pregnant age, that does despise
All innocent verse, that lets alone her vice.
But I must iustifie what priuately,
I censurd to you: my ambition is
(Euen by my hopes and loue to Poesie)
To liue to perfect such a worke, as this,
Clad in such elegant proprietie
Of words, including a mortallitie.
So sweete and profitable, though each man that heares,
(And learning has enough to clap and hisse)
Ariues not too't, so misty it appeares;
And to their filmed reasons, so amisse:
But let Art looke in truth, she like a mirror,
Reflects her comfort, ignorances terror
Sits in her owne brow, being made afraid,
Of her vnnatural complexion,
As ougly women (when they are araid
By glasses) loath their true reflection,
Then how can such opinions iniure thee,
That tremble, at their owne deformitie?
Opinion, that great foole, makes fooles of all,
And (once) I feard her till I met a minde
Whose graue instructions philosophicall,
Toss'd it like dust vpon a march strong winde,
He shall for euer my example be,
And his embraced doctrine grow in me.
His soule (& such commend this) that commaund
Such art, it should me better satisfie,
Then if the monster clapt his thousand hands,
And drownd the sceane with his confused cry;
And if doubts rise, loe their owne names to cleare'em
Whilst I am happy but to stand so neere'em. N. F.
To my friend Maister Iohn Fletcher, vpon his faithfull Shepheardesse.
I Know too well that no more then the man
That trauels through the burning desarts, can
When he is beaten with the raging sunne,
Halfe smotherd with the dust, haue power to runne
From a coole riuer, which himselfe doth finde,
Ere he be slak'd: no more can he whose minde
Ioies in the muses, hold from that delight,
When nature, and his full thoughts bad him write,
Yet wish I those whome I for friends haue knowne,
To sing their thoughts to no eares but their owne:
Why should the man, whose wit nere had a staine,
Vpon the publike stage present his vaine,
And make a thousand men in iudgement sit,
To call in question his vndoubted wit,
Scarce two of which can vnderstand the lawes
Which they should iudge by, nor the parties cause,
Among the rout there is not one that hath
In his owne censure an explicite faith.
One company knowing they iudgement lacke,
Ground their beliefe on the next man in blacke:
Others, on him that makes signes, and is mute,
Some like as he does in the fairest sute,
He as his mistres doth, and she boy chance,
Nor wants there those, who as the body doth dance
Betweene the actes, will censure the whole play:
Some like if the wax lights be new that day:
But multitudes there are whose iudgements goes
Headlong according to the actors clothes.
For this, these publicke things and I, agree
So ill, that but to do aright to thee,
I had not bene perswaded to haue hurld
These few, ill spoken lines, into the world,
Both to be read, and censurd of, by those,
Whose very reading makes verse senceles prose,
Such as must spend aboue an houre, to spell
A challenge on a post, to know it well,
But since it was thy happe to throw away,
Much vvit, for which the people did not pay,
Because they saw it not, I not dislike
This second publication, which may strike
Their consciences, to see the thing they scornd,
To be with so much will and art adornd.
Bisides one vantage more in this I see,
Your censurers must haue the quallitie
Of reading, which I am affraid is more
Then halfe your shreudest iudges had before. Fr. Beaumont.
Actus primi, Scena prima.
Actus secundus Scena prima.
Actus secundus Scena quarta.
Actus tertius Scena prima.
Actus Quintus. Scena. 1.