Source text for this digital edition:
Massinger, Philip. The Roman Actor. 1629. [online] In: Mueller, Martin (gen. ed.) Shakespeare His Contemporaries Northwestern University. [Accessed: 28 October 2016]
Note on this digital edition
This electronic transcription comes from the original-spelling text in the Shakespeare His Contemporaries project, which offers curated versions of texts from Early English Books Online - Text Creation Partnership. It differs in textual corrections (detailed in the appendix) made with reference
to the transcription in the English Drama collection published by Chadwyck-Healey,
and in assigning role identifiers to speakers. This curation has been carried out
by Sonia Sofía Perelló.
The SHC source text has been re-encoded by Jesús Tronch Pérez in order to be used in the
databases of the EMOTHE project and of the HIERONIMO project.
As from October 2017 the Shakespeare His Contemporaries site is obsolete and its project is incorporated into EarlyPrint.
With the support of research project GVAICO2016-094, funded by Generalitat Valenciana
(2016-2017).
__________________________________________________
THE
ROMAN
ACTOR.
A
TRAGAEDIE.
As it hath diuers times beene, with
good allowance Acted; at the private
Play-house in the Black-Friers,
by the Kings Majesties
Servants.
WRITTEN
by PHILIP MASSINGER.
LONDON.
Printed by B. A. and T. F. for ROBERT ALLOT, and
are to be sold at his Shop at the signe of the Beare
in Pauls Church-yard. 1629.
The persons presented.
Domitianus Caesar. |
Paris the Tragaedian. |
Parthenius a free-man of Caesars. |
AElius, Lamia, and Stephanos. |
Iunius Rusticus. |
Aretinus Clemens, Caesars spie. |
AEsopus a Player. |
Philargus a rich Miser. |
Palphurius Sura, a Senator. |
Latinus a player. |
3.Tribunes. |
2.Lictors. |
Domitia the wife of AElius Lamia. |
Domitilla cousin germane to Caesar. |
Iulia Titus Daughter. |
Caenis, Vespatians Concubine. |
The principall Actors.
IOHN LOVVIN. |
IOSEPH TAYLOR. |
RICHARD SHARPE. |
THOMAS POLLARD. |
ROBERT BENFIELD. |
EYLLARDT SVVANSTONE. |
RICHARD ROBINSON. |
ANTHONY SMITH. |
WILLIAM PATTRICKE. |
CVRTISE GREVILL. |
GEORGE VERNON. |
IAMES HORNE. |
IOHN TOMPSON. |
IOHN HVNNIEMAN. |
WILLIAM TRIGGE. |
ALEXANDER GOVGH. |
To my much Honoured, and most true Friends, Sir PHILIP KNYVET , Knight and Barouet. And to Sir THOMAS IEAY, Knight. And THOMAS BELLINGHAM of Newtimber in Sussex Esquire.
HOw much I acknowledge my selfe bound for your so many, & extraordinary fauors confer'd
vpon me, as farre as it is in my power posterity shall take notice, I were most vnworthy
of such noble friends, if I should not with all Thankefulnesse, professe, and owne
em. In the composition of this Tragaedie you were my only Supporters, and it being
now by your principall encouragement to be turn'd into the world, it cannot walke
safer, then vnder your protection. It hath beene happie in the suffrage of some learned,
and judicious Gentlemen when it was presented, nor shall they find cause I hope in
the pervsall, to repent them of their good opinion of it. If the grauity and height
of the subject distaste such as are onely affected with Iigges, and ribaldrie (as
I presume it will,) their condemnation of me, and my Poem, can no way offend me: my
reason teaching me such malicious, and ignorant detractors deserue rather cöntempt,
then satisfaction. I euer held it the most perfit birth of my Minerua; and therefore,
in justice offer it to those that haue best deseru'd of me, who I hope in their courteous
acceptance will render it worth their receiuing, and euer, in their gentle construction
of my imperfections, beleeue they may at their pleasure dispose of him, that is wholly,
and sincerelie
Devoted to their seruice.
Philip Massinger.
To his deare Friend the Author.
I Am no great admirer of the Playes,
Poets, or Actors, that are now adayes:
Yet in this Worke of thine me thinkes I see
Sufficient reason for Idolatrie.
Each line thou hast taught CEASAR is, as high
As Hee could speake, when groueling Flatterie,
And His owne pride (forgetting Heavens rod)
By His Edicts stil'd himselfe great Lord and God.
By thee againe the Lawrell crownes His Head;
And thus reviu'd, who can affirme him dead?
Such power lyes in this loftie straine as can
Giue Swords, and legions to DOMITIAN.
And when thy PARIS pleades in the defence
Of Actors, every grace, and excellence
Of Argument for that subject, are by Thee
Contracted in a sweete Epitome.
Nor doe thy Women the tyr'd Hearers vexe,
With language no way proper to their sexe.
Iust like a cunning Painter thou lets fall
Copies more faire then the Originall.
I'll adde but this. From all the moderne Playes
The Stage hath lately borne, this winnes the Bayes.
And if it come to tryall boldly looke
To carrie it cleere, Thy witnesse being thy Booke.
T. I.
In Philippi Massingeri, Poetae elegantiss: Actorem Romanum, typis excusum.[...]
ECce Philippinae, celebrata Tragaedia Musae
Quam Roscus Britonum Roscius egit, adest.
Semper, fronde ambo vireant Parnasside, semper
Liber ab invidrae dentibus esto, Liber.
Crebra papyriuori spernas incendia paeti
Thus, Vaenum expositi tegmina suta libri:
Nec metuas raucos, Momorum Sybila, rhencos
Tam bardus nebulo si tamen vllus, erit.
Nam toties festis, actum, placuisse Theatris
Quod liquet, hoc, Cusum, crede, placebit, opus.
Tho: G.
To his deseruing Friend Mr. Philip Massinger, vpon his Tragaedie, the Roman Actor.
PARIS, the best of Actors in his age
Acts yet, and speakes vpon our Roman Stage
Such lines by thee, as doe not derogate
From Romes proud heights, and Her then learned State.
Nor great Domitians fauour; not th'embraces
Of a faire Empresse, nor those often graces
Which from th'applauding Theaters were pay'd
To His braue Action, nor His ashes layd
In the Flaminian way, where people strow'd
His Graue with flowers, and Martialls wit bestow'd
A lasting Epitaph, not all these same
Doe adde so much renowne to Paris name,
As this that thou present'st his Historie
So well to vs. For which in thankes would Hee
(If that His soule, as thought Pithagoras
Could into any of our Actors passe)
Life to these Lines by action gladly giue
Whose Pen so well has made His storie liue.
Tho: May.
Vpon Mr. MASSINGER His Roman Actor.
TO write, is growne so common in our Time
That euery one, who can but frame a Rime
Howeuer monstrous, giues Himselfe that praise
Which onely Hee should claime, that may weare Bayes
By their Applause whose judgements apprehend
The weight, and truth, of what they dare commend.
In this besotted Age (friend) 'tis thy glory
That Heere thou hast out-done the Roman story.
Domitians pride; His wiues lust vnabated
In death; with Paris, meerly were related
Without a Soule, Vntill thy abler Pen
Spoke them, and made them speake, nay Act agen
In such a height, that Heere to know their Deeds
Hee may become an Actor that but Reades.
Iohn Foorde.
LOng'st thou to see proud Caesar set in State,
His Morning greatnesse, or his Euening fate?
With admiration heere behold him fall
And yet out-liue his tragique Funerall:
For 'tis a question whether Caesars Glorie
Rose to its heighth before, or in this Storie.
Or whether Paris in Domitians fauour
Were more exalted, then in this thy labour.
Each line speakes him an Emperour, eu'ry phrase
Crownes thy deseruing temples with the Bayes;
So that reciprocally both agree
Thou liu'st in him and Hee surviues in Thee.
Robert Harvey.
To His long knowne and lou'd Friend, Mr. PHILIP MASSINGER, vpon His Roman Actor.
IF that my Lines being plac'd before thy Books
Could make it sell, or alter but a looke
Of some sowre Censurer, who's apt to say
No one in these Times can produce a Play
Worthy his reading, since of late, 'tis true
The old accepted are more then the new.
Or could I on some Spot o'the Court worke so
To make him speake no more then He doth know;
Not borrowing from His flattering flatter'd friend
What to dispraise, or wherefore to commend.
Then (gentle Friend) I should not blush to bee
Rank'd 'mongst those worthy ones, which heere I see
Vshering this Worke, but why I write to Thee
Is to professe our loues Antiquitie,
Which to this Tragaedie must giue my test,
Thou hast made many good, but this thy best.
Ioseph Taylor.
ACTVS, I. SCAENA, I.
ACTVS, I. SCAENA, 2.
ACTVS, I. SCAENA, 3.
ACTVS, I. SCAENA, 4.
The end of the first Acte.
ACTVS, II. SCAENA, 1.
The end of the second Act.
ACTVS, III. SCAENA, 1.
ACTVS, III. SCAENA, 2.
The end of the third Act.
ACTVS, IIII. SCAENA, 1.
ACTVS, IIII. SCAENA, 2.
The end of the fourth Act.
ACTVS, V. SCAENA, 1.
ACTVS, V. SCAENA, 2.
FINIS.
[EDITORIAL CASTLIST
Domitianus Caesar. |
Paris, the Tragaedian. |
Parthenius, a free-man of Caesars. |
AElius, Lamia, and Stephanos. |
Iunius Rusticus. |
Aretinus Clemens,, Caesars spie. |
AEsopus, a Player. |
Philargus, a rich Miser. |
Palphurius Sura,, a Senator. |
Latinus, a player. |
3.Tribunes. |
2.Lictors. |
Domitia, the wife of AElius Lamia. |
Domitilla, cousin germane to Caesar. |
Iulia, Titus Daughter. |
Caenis,, Vespatians Concubine. |